Lastest Internal Cylindrical Grinding News

Lastest Internal Cylindrical Grinding News

Sherborne Old Castle

Image by ell brown
The Estate of Sherborne Castle – grounds and gardens.

The region of the garden walk that goes previous Sherborne Old Castle.

This is Sherborne Old Castle. Built by Bishop Roger of Salisbury between 1122 and 1139.

Sir Walter Raleigh purchased the castle in 1592, and attempted to modernize it. But by 1594 he gave up and instead started to build his own house nearby.

The Digby’s got Sherborne Castle (each old and new) in 1617 when Sir John Digby acquired it.

For the duration of the Civil War, the Digby’s have been on the Royalist side, and the Old Castle was garrisoned and suffered two sieges. Following the second siege in 1645 Fairfax and his Parliamentarian army systematically demolished the Old Castle. As a result Sherborne Castle after that came to mean the new hous in the park.

Walking previous the boundary wall between the old castle grounds and the garden walk of the new 1.

Grade I listed.

Sherborne Old Castle, Castleton

CASTLETON
ST 6416 SHERBORNE CASTLE
12/26 Sherborne Old Castle
11.7.51
GV I
Episcopal castle with curtain-wall and gatetowers. Constructed by Roger, bishop
of Salisbury 1107-1135. Restoration begun by Sir Walter Raleigh in 1592,
and soon abandoned. Castle partly demolished and rendered untenable, 1645.
Rubble-stone walls, with close-jointed ashlar facing and freestone dressings.
Curtain wall and gatetowers. Curtain-wall enclosed an area 470 ft by 330 ft
with diagonal walls across the angles, forming an elongated octagon. Walling
stands either side of the SW gatetower,in places on the north, south and east
walls. SW gatehouse, C12, four storeys with a battered plinth and clasping
buttresses. NW angle stands to full height, S side is more ruined. W face,
facing of the outer archway has gone and only the segmental rear-arch remains.
C16 restorations and alterations under Raleigh. (See RCHM). Present method
to gate, C20. Abutments and central pier revealed by excavations. NW Tower,
foundations only. North gate and barbican, revealed by excavation, C12 and
C13. Flanking the C13 buildings are the remains of wing-operates with circular
turrets at the outer angles. NE gate, foundations and some walling. SE tower,
web site only. Hold and attached courtyard of buildings at the centre of the
bailey. Maintain. C12, of at least three stages. Ground floor has a dividing wall
running N and S., and supporting two barrel-vaults. These barrels run on
into groined vaults, supported by a cylindrical column with a scalloped capital.
South wall of the extension has externally a central buttress of segmental form.
SW angle of the keep adjoins the S wall of the forebuilding, which stands to
the prime of the third stage. The forebuilding has clasping buttresses at the
west angles. Late C16 stone staircase and terrace against north wall of
forebuilding. 3 ranges of buildings, and an excavated S variety stand round
a central courtyard, initially with cloister-walks. W Ranges running N from
Keep, W wall has pilaster buttresses and a moulded string-course. E wall of
this range largely destroyed. Rubble (tufa) barrel vault. N range, 2 storeys,
4 bays, with clasping and pilaster buttresses externally. Ground-floors groined
rubble vault over three E bays and barrel-vault more than W bay. N wall has remains of
former windows and openings upper floor round-headed windows decorated with
chevron, and label with billet. Internal wall-arcading of intersecting arches,
of which traces remain. Floor could have housed the chapel. East range, a lot
ruined. East hall has pilaster buttresses and an original window in every of
the three bays. Ground floor has a rubble barrel-vault of which the springing
remains. S range, foundations identified of N and S walls, possibly housed the
wonderful Hall. The castle was held for the Crown in 1642 and 1645.
(RCHM Dorset I, p.64(4))(Sch. Monument: DORSET.2)

Listing NGR: ST6480316768

Protected by English Heritage.

Keeping machines running: 5 Queries with Bryan Oglesby of Hydrotex

Keeping machines running: 5 Queries with Bryan Oglesby of Hydrotex
Educating manufacturing and fleet upkeep staff in suitable lubrication fundamentals and applications can considerably reduce expenses and increase productivity. Even an introductory instruction session aids technicians understand the basics and …
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The new worldwide arms race
Considering that the 1980s, in an effort to keep the position of unchallenged global primacy it accomplished during and immediately following the dissolution of the Soviet Union, the US ruling elite has spearheaded a global arms race and militarization drive that …
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Design and style Considerations for Aspheric Lenses
This first of two articles will cover design and manufacturing choices for aspheres the second will consist of a lot more detail on manufacturing and testing processes. These articles will supply the tools optics designers need to have to tailor their styles to the …
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Life of The clouds….A Tear And A Smile…

Life of The clouds….A Tear And A Smile…

Check out these turning parts images:

Life of The clouds….A Tear And A Smile…

Image by -Reji
…………………………………………………………………………...Explored… Thanks All Buddies

The waters of the sea turn into vapor and rise and come
With each other and kind clouds.

And the cloud floats above the hills and valleys
Until it meets the gentle breeze, then falls weeping
To the fields and joins with brooks and rivers to Return to the sea, its home.

The life of clouds is a parting and a meeting.
A tear and a smile.

I would not exchange the sorrows of my heart
For the joys of the multitude.
And I would not have the tears that sadness tends to make
To flow from my each and every portion turn into laughter.

I would rather that I died in yearning and longing
Than that I reside Weary and despairing……

-Khalil Gibran

You Turn

Image by gfpeck
PRO84 Elliott Erwitt – Emulation Assignment October 09

Mission:
To emulate the style of Elliott Erwitt, Born Paris 1928.
This will turn into clearer as you read further and as you study his operate. Nevertheless, at this moment, your activity is to uncover a human, tender, amusing or downright funny moment involving individuals or animals and to depict it in a way that we are seeing the moment – not the decisive moment – just the snapshot moment where two factors came together and the outcome was the unexpected – a tender human moment – or funny, but constantly real life and making us appreciate the ‘sense of the ridiculous’ all about us.
He makes use of juxtaposition of components not meant to be with each other, but when they are, we smile.

Of course his work was not constantly to make us smile or laugh, but I do feel that this is his most self-effacing asset. By means of his work, we are portion of the finish item and can share the ‘indecisive moment’ (as he himself puts it) with him. Elliott Erwitt was not above engineering these moments – in reality, he utilized to carry a noisy horn to spook dogs into jumping at the moment he took the photo.

But he also saw the prospective in a lot of scenarios. This is where your imagination comes into play. Do you see a Billboard which would be hilarious with (say) horses underneath it? Or even the child carrying a balloon, which looks like a substitute head at various angles? Or like a single of Elliott Erwitt’s classics, the woman sitting with a dog on her lap – and it is the dog we see for the top half of her physique.

WIT: I took my daughter and niece to the park to play so I could look for EE circumstances. I had no luck so I decided to use the youngsters for props. We walked along a trail and I had the girls act out every sign we came to. This was 1 of their best interpretations. For post processing I cropped the shot square and produced two b&ampw versions (1 to perform on the sky and trees, and yet another for the sign and girls) and overlayed them with some layer masking.

I really like Erwitt’s sense of irony and humor, it fits me properly. Even though there were no specific EE pictures that I utilized for inspiration, I am hoping my submission has his sense of juxtaposition and humor. It was quite frustrating not to be capable to find other/greater examples about town. I consider this is one of those things where if you appear too hard you wont be in a position to discover it. Just let it take place and hope you have your camera with you.

Colour, non-square version

Ingredients

Ingredients

A few nice grinding stainless steel images I found:

Ingredients

Image by Kodamakitty
The salad does not have numerous components – pears, salad greens (I utilized a infant spring mix considering that my Kroger does not sell just the Rocket by itself), lemon juice, walnut oil, shaved parmesan and freshly ground pepper.

DSCF0615

Image by Jayson Leow
Tulip – Latte

FuJin RaiJin Fighter. Produced by Glenn Waters (This knife has been sold) Over 18,000 visits to this photo. Thank you.

Image by Glenn Waters ぐれんin Japan.
This it the 1st knife I have produced in over 5 years.

After my motor bike accident I couldn’t make knives for some years and then progressively lost the desire to make them.
Now I am back and inspired. This is the very first of a lot of.

About the knife. The blade material is an exotic stainless steel by Hitachi. It is a san mai (Sandwich) of ATS-34 on the outside and ZDP-189 on the inside.

Very first I ground and shaped the blade after which I engraved it with the God of Wind &quotFuJin&quot on the front and the God of Thunder &quotRaiJin&quot on the back.

Then the blade was heat treated to a RC 67 hardness for the inner steel. Next the blade was polished untill 60,000 grit diamond. Quite fine &quotMicro Mirror Polish.
Following that I inlaid 24k gold and heat coloured it.
Then black sting ray skin was attached and bound with silk.
The bolsters are made from Titanium Damascus (Timascus). The menuki (manage inserts) are produced of titanium and 18k gold and engraved with bonji (buddhist script) on the front.

Lastly I took this photo with a Nikon D700 and the superb Nikkor 85mm f/1.4G lens.