“Limited Edition Prints by Damien Hirst: Thr-ser, 2012 (1-inch woodcut spot)” / Paragon Press / Art Basel Hong Kong 2013 / SML.20130523.EOSM.04002.SQ

A couple of nice turning machining photos I located:

“Limited Edition Prints by Damien Hirst: Thr-ser, 2012 (1-inch woodcut spot)” / Paragon Press / Art Basel Hong Kong 2013 / SML.20130523.EOSM.04002.SQ

Image by See-ming Lee 李思明 SML
Woodcut spots from Damien Hirst. This series require no introduction. Each and every print is an abstract representation of a biochemical compound, expressed as a spot colour from circular wood cuts.

It is tough for me to talk about Damien Hirst. On the one hand, I see a gifted and quite talented artist who produces brilliant functions. On the other, an artist-turned-factory who has become so commercialized that he would need to have to come up with all kinds of techniques to pump up performs to please the high demands for his perform.

Andy Warhol likes to say that “making cash is art, and working is art and excellent organization is the ideal art.” But I tend to have a difficulty with art developed purely to make cash. Mondrian’s early performs are brilliant and full of ideas, but the Mondrian after he has becoming the darling of his times left tiny to be desired.

These “limited edition prints” is probably the worse of this trend—making swift bucks in the art market place, every asking approximately four-thousand pounds on today’s market. I have no doubt that these performs are important to supporting the artist’s livelihood and hence makes it possible for him to be the richest living artist in Britain.

Art to me is pure magic, but in these performs I see nothing at all but a money-producing machine disguised as one thing fine but has no soul except the greed inside.

Damien Hirst
Thr-ser (1-inch woodcut spot)
2012
Woodcut
55 editions
Hand signed and numbered

A series of woodcut printed on 410 gsm Somerset White textured paper. Signed by the artist on the front and numbered on the reverse in an edition of 55.

# Damien Hirst

Damien Steven Hirst (born 7 June 1965) is an English artist, entrepreneur and art collector. He is the most prominent member of the group recognized as the Young British Artists (or YBAs), who dominated the art scene in Britain for the duration of the 1990s. He is internationally renowned, and is reportedly Britain’s richest living artist, with his wealth valued at £215m in the 2010 Sunday Occasions Wealthy List. Throughout the 1990s his career was closely linked with the collector Charles Saatchi, but rising frictions came to a head in 2003 and the connection ended.

en.wikipedia.org/wiki/Damien_Hirst

# Paragon Press
www.paragonpress.co.uk/
6 Wetherby Gardens
London SW5 0JN
United Kingdom

# SML Data
+ Date: 2013-05-23T14:35:35+0800
+ Dimensions: 2776 x 2776
+ Exposure: 1/6400 sec at f/2.
+ Focal Length: 22 mm
+ ISO: one hundred
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/two STM
+ GPS: 22°16’59&quot N 114°10’22&quot E
+ Place: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.04002.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Restricted

“Limited Edition Prints by Damien Hirst: Thr-ser, 2012 (1-inch woodcut spot)” / Paragon Press / Art Basel Hong Kong 2013 / SML.20130523.EOSM.04002.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #DamienHirst #ParagonPress #woodcut #prints #spot #colorist #abstract

www.flickr.com/photographs/seeminglee/8864290568/

Cinema MACHINE. Riverside

Image by Donatas Grinius
2011 06

DIPLOMA Function
VILNIUS GEDIMINAS TECHNICAL UNIVERSITY
Place: NEW YORK, Extended ISLAND CITY
Kind: PUBLIC Creating

The theaters
All theater screens are turned to Manhattan and they rotate on a horizontal axis. Visitors can appreciate the fascinating skyline prior to the film starts and individuals from Manhattan can see the screens open and close.

Original Heidelberg Press Costa Rica Trip 2009 57

Original Heidelberg Press Costa Rica Trip 2009 57

Check out these precision machining firm pictures:

Original Heidelberg Press Costa Rica Trip 2009 57

Image by stevendepolo
Original Heidelberg
‘The Prince of Presses’

By Fred Williams
Editor-Publisher, Sort &amp Press
Summer season 1981

Even in this “offset age,” the Heidelberg platen presses prove their worth—day in, day out. Nevertheless the most versatile presses on the industry they can print, imprint, number, perforate, punch, slit, emboss, die-reduce, score and hot foil stamp.

They can print on a wide variety of paper stocks from onion paper to carton. Some models can print on leather, cloth &amp plastic.

Developed and constructed by German craftsmen, the Heidelberg press features heavy-duty building with huge base and platen of specially cast alloy and shaft of stell, toggle lever drive with impression handle, push-and-pull mechanism for feeding quite thin paper, excellent register at all speed variations, cylinder inking method and rollers running in precision ball bearings.

But the most radical feature of the Original Heidelberg press is its sweeping windmill feeder. This double blade, with grippers on each ends, moves in quarter turns from feeding, to print, to delivery positions.

Vacuum suckers lift unprinted sheets from the pile holding them till seized by grippers in either finish of the windmill blade, which revolves, carrying the sheet to the edge of the platen. Although the grippers nevertheless hold the sheet, the press closes, generating the impression. Right after platen opens the windmill revolves an additional quarter-turn, delivering printed sheet.

The press, regarded by pressmen as “The Prince of Presses,” is made in West Germany by Schnellpressenfabrik AG Heidelberg (Heibelberg Speedy Press Performs, Inc.) &amp now is made in ten.1/4×15” and 13 3/8×18 1/8” sizes.

The Heidelberg got its commence more than 130 years ago when German master machinist Andreas Hamm established a factory in the university town of Heidelberg in Baden-Wurttemberg in 1850 to create presses, folding machines and gas engines.

Shortly before the turn of the century he started concentrating on the designing of higher-speed Letterpress machines.

In 1912 perform and testing started on the Heidelberg Original press. Speed, precise register and the windmill gripper had been incorporated into this ingenious mechanism. The press produced its debut in 1913.

Early Heidelberg presses had a revolving ink disk system, but in 1919 it was discarded in favor of the presently utilized cylindric inking method.

The toggle action for control of the platen movement was not featured on the press till 1924. This very same year an assembly line was instituted to step up production of the press. Speed of the press art the time was in excess of three,000 i.p.h.

In 1933 the 13×18” Heidelberg press, with impressional strength of 60 tons, was introduced. 3 years later the organization started producing cylinder presses. Soon the speed of the platen press was raised to 5,000 (10,000 using the double feeder attachment) i.p.h.

Production of all presses was resumed in 1949 right after being curtailed during Globe War II. New dramatic tactics have been utilised to regain lost markets.

Particular vans have been outfitted, every single containing a Heidelberg. Driven straight to printers’ doors, extension cables would be connected to neighborhood powser outlets and the press would be demonstrated as it turned out the printers’ own jobs. Sales soared and within a few years the distinctive Heidelberg press was busily operating in all components of the world.

In 1957 another factory was opened at Wieslock, West Germany and the quantity of staff rose to about six,000. In 1967 Heidelberg announced that it had constructed over 175,000 of the platen presses. One particular press was built every single 14 minutes.

Nevertheless, each day’s output was shipped out at once—the factory has in no way been capable to hold any in stock!

In 1958 a new line of cutting and creasing platen presses have been introduced. Four years later, because of American demands, a press for letterset and offset duplicating was brought out.

In spite of the tremendous acceptance of offset presses, prerssmen are not probably to neglect the Heidelberg press. Lengthy will they admire the ease at which it can be set-up and its quickly getaway on any job, its tremendous impressional strength, its hair-line register and smooth difficulty-cost-free operation.
www.apa-letterpress.com/T &amp P ARTICLES/Press &amp Presswork/heidelberg wind.html
humblebunny.com/humblebunny/?p=67&amppreview=accurate

Kenfix Firm, 3706 Florida Avenue, Tampa, Florida, partial view of precision machine shops of Kenfix Company

Image by Boston Public Library
File name: 06_ten_009209
Title: Kenfix Company, 3706 Florida Avenue, Tampa, Florida, partial view of precision machine shops of Kenfix Business
Date issued: 1930 – 1945 (approximate)
Physical description: 1 print (postcard) : linen texture, colour 3 1/2 x 5 1/2 in.
Genre: Postcards
Subject: Industrial facilities
Notes: Title from item.
Collection: The Tichnor Brothers Collection
Place: Boston Public Library, Print Department
Rights: No recognized restrictions

Press Release: The Conference Board Leading Financial Index(R) (LEI) for Mexico

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