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ORB ORBLIVION COVER

Image by Iron Man Records
THE ALBUMS

June 23rd 2008 sees the re-release of a salvo of Orb albums via Universal Catalogue. All four albums, Pomme Fritz, Orbus Terrarum, Orblivion &amp Cydonia had been all initially released on Island Records.

All 4 albums come as 2-CD packages and incorporate fully re-mastered versions of the original albums, deluxe, expanded packaging with sleeve notes from Kris Wants plus uncommon and previously unreleased mixes from the period of the original album releases.

Released in July 1994, Pomme Fritz was the bands very first album for Island Records having released their very first two albums for Big Life. By now something of a ‘household name’ thanks to the achievement of 2nd album U.F.Orb, Pomme Fritz, sub-titled The Orb’s Small Album, came as one thing of a shock to fans and critics alike. At 41 minutes it was, in Orb terms, something of a sprint and following the virtually ‘pop’ sensibility of tracks such as Perpetual Dawn &amp Small Fluffy Clouds the disjointed, dissonance of Pomme Fritz was at odds to what had gone ahead of, but with hindsight Orb leader Alex Paterson see the album in terms of wiping the slate clean in order to begin again.

1995 saw the release of Orbus Terrarum, an album a lot of Orb officianados see as some thing of a lost classic. The last album to function Kris ‘Thrash’ Weston (who would be replaced with Andy Hughes), it still baffled numerous UK critics who had been, at the time, in thrall to the prevailing flavour du jour of Britpop, yet it proved to be the bands greatest good results in the U.S. A lot more organic and straight-forward than its predecessor only one particular single, Oxbox Lakes was lifted from the album.

2 years later in 1996 and the Orb would return with Orbilivion, an album that would see them return to the industrial achievement they had achieved with their first two albums and spawn what was to be their greatest single to date. Now mainly Paterson &amp Hughes, the Orb scored their 1st best 5 single with Toxygene the very first single to be lifted from the album. Starting life as a rejected remix of the Jean Michel Jarre track Oxygene (turned down as it bore no resemblance to the original) the single reached quantity four in January of 1996. The album saw the band re-capture some essential ground as reviews celebrated the extended-player as one thing of a ‘return to form’.

Regardless of the different corporate reshuffles at the Orb’s label, Cydonia, the final album for Island, finally emerged in 2001. Recorded in 1999, the album played to the Orb’s strengths. Moments of bass heavy ambience, recalling the heady days of the early 90’s sat alongside ‘pop’ moments such as the initial single from the album, Once More. Quickly after its release the band parted organization with the label, following a final ‘greatest hits’ complilation U.F.Off and a legendary show at the Royal Albert Hall.

THE HISTORY

Primarily the brainchild of Alex Paterson, the Orb sprang forth from the punk rock ethos of ‘anything-goes’. Initially working with Killing Joke’s Youth and KLF-er Jimmy Cauty and inspired by New York mix-tapes from the likes of Shep Pettibone, the Orb’s initial game strategy was to operate outside any restrictive notion of genre by utilising anything from dub to punk to abstract electronic bleeps and blips. The mentality, which spawned the Orb, stemmed from possessing a laugh but becoming deadly significant about remarkable music of whatever strain or period.

With the advent of acid-home in 1988 their ambient workings and DJ sets, which straddled the gaps between the ambience of Eno &amp White Noise, early home tracks and the wide-screen space of classic dub, saw them much in demand in the capitals nascent club-scene. Supplying back-room entertainment at legendary bashes such as Trancentral and Land of Oz the early incarnation of the Orb soon gained a reputation for anything distinct in a planet exactly where the 4/four beat ruled supreme.

It wasn’t lengthy before their formative tips created it to vinyl and early releases such as A Massive Ever Increasing Pulsating Brain That Rules From The Centre Of The Ultraworld and Little Fluffy Clouds became acclaimed as defining a genre that would be loosely referred to as ‘ambient-house’.

Their debut album, The Orb’s Adventures Beyond The Ultraworld, released in 1991 established them as a single of the UK’s most innovative and expansive electronic bands a deeply textured album of other-worldly sounds and subtle beats it was broadly hailed as distinctive and extremely original record.

The following year, 1992, saw the release of arguably their ‘piece de la resistance’ U.F.Orb which saw them really capture the spirit of the time: rumbling bass heavy moments in dub, dis-jointed snippets of sound, abstract beats and dialogue segments from long-forgotten counter-culture films. It reached quantity 1 upon release, the first album by a British electronic / dance act to do so and went on to become one particular of the definitive electronic releases of the period.

20-years after acid-property initial exploded it’s effortless to forget how pioneering artists such as the Orb actually were. They took the DIY ethos of punk and fused it with a sense of musical exploration afforded by the explosion of electronic music and created a sound that was exclusive and some thing that would spawn a slew of imitators.

Alex would continue to record as the Orb placing out albums that continued to explore beyond the norm and became a significantly in-demand collaborator / remixer operating with the likes of Primal Scream who all appreciated the pranksters one-off, devil-might-care musical skills.

The complete tracklisting of the albums are as follows:

Pomme Fritz

Disc 1 (original album)

Pomme Fritz (Meat ‘n’ Veg)

More Gills Much less Fish Cakes

We’re Pastie To Be Grill You

Bang ‘Er ‘N’ Chips

Alles Ist Schoen

His Immortal Logness

Disc two (Remixes)

Sausage Tats Mit Gravy (Dom Mix no.1)

Star Twister (Pomme Fritz &amp Apple Sauce Mix)

Potato Fields Of Electric Gliding Blue (Ambient Mix)

Eastern Hot Dogs In Gardens Of Dub (Lx Mix)

Wrapped With Salt &amp Vinegar (Thomas Fehlmann Mix)

Orbus Terrarum

Disc 1 (original album)

Valley

Plateau

Oxbox Lakes

Montagne D’or (Der Gute Berg)

White River Junction

Occidental

Slug Dub

Disc two (Remixes)

Plateau (All Hands On Deck Mix – 2am)

Slug Dub (Dumpy Dub)

Valley (Mix three Dubby)

White River Junction (Zoom Vinegar Mix)

Oxbox Lakes (Andy’s Space Mix)

Peace Pudding (Occidental)

Orblivion

Disc 1 (original album)

Delta Mk II

Ubiquity

Asylum

Bedouin

Molten Really like

Pi – Component A single

S.A.L.T

Toxygene

Log Of Deadwood

Secrets

Passing Of Time

72

Disc two (remixes)

Delta Mk II (Enjoy Bites Mix)

Bedouin (The Sheiks Film Mix)

Log Of Deadwood (Implanting Machines Mix)

Secrets (I Love A Lady In Uniform Mix)

Passing Of Time (Ambient Mix)

Molten Enjoy (Orbits Of Venus Mix)

S.A.L.T. (Snow Mix)

Toxygene (Kris Demands Up For A Fortnight Mix)

Asylum (Soul Catcher Mix)

Cydonia

Disc 1 (original album)

Once Far more

Promis

Ghostdancing

Turn It Down

Egnable

Firestar

A Mile Long Lump Of Lard

Centuries

Plum Island

Hamlet Of Kings

1,1,1

Edm – The Blackhole Mix

Thursday’s Keeper

Terminus

Disc two (remixes)

Centuries (Europhen Mix)

Ghostdancing (version)

Hamlet Of Kings (version)

Firestar (Front Bits)

Centuries (Wine, Lady &amp King Mix)

Once Far more (Scourge Of The Earth Mix)

Plum Island (Flat Mix)

Promis (Version)

When Far more (Bedrock Edit two)

Turn It Down (Extended Version)

Terminus (Andy’s Mix)

For additional info contact:
Steve Phillips
Coalition PR 0208 987 0123
Steve@coalitiongroup.co.uk