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Good Engine Turning photos

Klarm Machining

Some cool engine turning pictures:

Lake Street #5 Near Engine Property at Crawford

Image by cta web
Before electrification, the very first two ‘L’ roads ran trains with wooden cars pulled by steam locomotives like this one right here. These locomotives burned coal to heat water and generate pressurized steam like any steam engine would, but had been considerably smaller sized than what you may well have noticed in old film footage of intercity railways. ‘L’ trains had been light and the locomotives needed to be, too, so they could choose up speed and stop quickly, considering the close spacing of fast transit stations.

The locomotive style is referred to as a &quotForney,&quot soon after steam locomotive designer Matthias Forney, which could operate in either path, assisting to make it simpler to attach a locomotive to the back side of a train at the end of a line, and adjust path and run a reverse trip without obtaining to turn a locomotive about.

The Lake Street ‘L’ really named its locomotives in addition to numbering them. Observed right here is #five, named &quotLizzie A.&quot (regrettably, we’re not certain who Lizzie was, but she possibly was a person who had a relation to the ‘L’ firm or an individual else who did). The Lake Street ‘L’ ran steam locomotives till 1896, converting to electric energy a little ahead of its slightly older peer serving the South Side, a separate company at the time.

The station in the background is Crawford, later renamed Pulaski.

Image from web page 247 of “Locomotive engineering : a sensible journal of railway motive energy and rolling stock” (1892)

Image by Internet Archive Book Images
Identifier: locomotiveengine10hill
Title: Locomotive engineering : a sensible journal of railway motive power and rolling stock
Year: 1892 (1890s)
Authors: Hill, John A. (John Alexander), 1858-1916 Sinclair, Angus, 1841-1919
Subjects: Railroads Locomotives
Publisher: New York : A. Sinclair, J.A. Hill [and so forth.]
Contributing Library: Carnegie Library of Pittsburgh
Digitizing Sponsor: Lyrasis Members and Sloan Foundation

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Photos: All Photos From Book

Click right here to view book online to see this illustration in context in a browseable on-line version of this book.

Text Appearing Prior to Image:
ighboring road, andwhen, for the convenience of passengers,the train in query was started, it wasrun precisely on the same time as the trainon the other road, and it may well be effectively to the smoke. This was also a lot for thefeelings of not only the passengers, butengineer and conductor, and the former,in his eagerness to make much better time,occasionally did not cease just at the station,even with the engine reversed, and thelatter, with a lot of apologies, would assistthe passengers to alight at the road-side.The brakes on the vehicles were in goodorder and completely equal in energy to ninetyper cent, of weight of car the tenderbrake was equally great but the driverbrake was of the pull-up sort, with theusual gland leakage. To preserve the pistonpacking tight, the engineer was accus-tomed, when oiling, to carry an oil canin 1 hand and a water can in the other.This brake was produced to do very good workby turning the cylinders upside down,altering the pistons on the rods, puttingon a lengthy crosshead, and creating it push

Text Appearing Following Image:
CANADIAN PACIFIC ENGINE, WITH FIKST FORWARD TUUCK BRAKE APPLIED. mention that these roads ran side by sidefor the entire distance, and the stationson every single were directly opposite to eachother. The train consisted of two 50,000-poundcars and a four-wheel coupled Manchesterengine, with 16-inch cylinder and 62-inchwheels. The tank was sloped to the back,and a pilot put on the back of the tender,as thete was no indicates of turning engineat a single finish of the run. A couple of passengers patronized the newtrain but when it was discovered that the littleengine could not get there on time, andmake all the stops, which had been thirteen ina distance of 23 miles, they made verybroad hints of going back to the otherline. The engine on the other road was a re-markably excellent one, and was built tor thatparticular service, with the water tank onthe boiler, and it utilized to get out of thestation with such surprising speed that thelittle Manchester could have a excellent viewof the rear of that train when it did not get up rather

Note About Pictures
Please note that these images are extracted from scanned web page pictures that may have been digitally enhanced for readability – coloration and look of these illustrations may not perfectly resemble the original operate.

Good Precision Turning photos

Klarm Machining

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William T. Sherman

Image by dbking
William Tecumseh Sherman Monument
Place: 15th Street at Pennsylvania Ave. NW
Sculptor: Carl Rohl-Smith
Date: 1903
Medium: Bronze

Despite the fact that the Grant Memorial may possibly be the grandest, the Sherman Monument behind the U.S. Treasury is the largest and most complicated of all the Civil War memorials.

Just before the Civil War, Sherman had floundered in life. He graduated from West Point in 1840 and went on to serve in the Mexican War, but resigned his commission in 1853 to enter the banking company. But as banks failed, so did his banking career. When he tried to return to the military he was rebuffed and turned to law but lost the only case he attempted. In 1861, at the outbreak of the Civil War, Sherman was serving as superintendent of a new military college in Louisiana but turned down a commission in the Confederate Army. At age 41, he was reappointed as colonel of the 13th infantry as the standard U.S. army expanded. His memoirs note that he “felt as even though there was now a goal in his life” at this commission. Achieving the rank of commander of the Army of the Tennessee in 1863, Sherman’s “March to the Sea” in the course of the winter of 1864-1865 captured the imagination of the North. This event led the press, who Sherman mistrusted and who disliked him in return, to turn out to be an immensely appealing hero. As a lieutenant basic and then common and commander of the complete army from 1869-1883, Sherman was well-liked among veterans, whose welfare he looked soon after. He was active in veterans’ organizations, in continual demand as a speaker at reunions, dedications, and encampments, and he hardly ever turned down an invitation to “mix with the boys.” When word of his death in February 1891 reached the Society of the Army of the Tennessee, its officers started to plan for a memorial honoring his memory.

Selection of the Sculptor

As with the Grant Memorial (although several years later), members at the society’s summer time encampment voted to erect a memorial to honor him “in the nation’s capitol, the heart of Union he had fought to save.” Congress was asked for and appropriated ,000 to establish the Sherman Monument Commission. The Society speedily established committees in every single state to raise funds, writing solicitation letters to many military organizations of the day, as properly as encouraging each and every Union veteran to contribute to the statue fund “so that when the statue is erected in Washington, each soldier who sees it will really feel that it is a component of his work.” With the plea for funds was an emotional circular to remind veterans of Sherman’s concern for them. In spite of the appeals, only ,469.91 was raised, requiring Congress to double its contribution. By 1895, confident that they would be profitable in raising the final funds needed, the Society announced a competitors to choose a style for the monument. The Society wanted only equestrian models from American artists and asked the National Sculpture Society to help in the selection of the artist.

By April 1896, twenty-3 sculptors had submitted models. Many of the sculptors had submitted models for earlier monumental commissions but had lost. The models were displayed in the basement of the War Department exactly where the public could view them and supply opinions. In mid-Might, the commission announced 4 finalists and the National Sculpture Society sent a delegation of the nation’s most prominent sculptors to evaluate the finalist’s models. The public had favored the most elaborate model, submitted by Danish born Carl Rohl-Smith, but the National Sculpture Society’s judges relegated Rohl-Smith’s design to the bottom, discovering “it is ill conceived and overdone.” Two weeks following the National Sculpture Society’s delegation opined, the Sherman Monument commission announced Rohl-Smith as the winner. The losers had been outraged and cried foul, claiming that the Sherman Monument Commission completely disregarded the opinion of the professionals. The National Sculpture Society also protested the decision. The “Washington Star” newspaper referred to as the competitors a “bunko game.” In June, at the urging of the National Sculpture Society, Sen. Wolcott (CO), who had said the nation’s capital was currently disgraced by adequate poor sculpture, provided a resolution for an inquiry into the award of the Sherman commission. What ensued was a debate that intensified the excellent divide among the “artistic experts” who disliked Rohl-Smith’s model and the public’s need for Rohl-Smith’s style. The wrangling continued until July, with Rohl-Smith possessing to deny that he had any influence in Washington, only the very best style. Lastly, the opposition surrendered and Rohl-Smith went to work on his sculpture.

The Place

Although the choice procedure was contentious at ideal, the choice of the location for Rohl-Smith’s statue, which was going on simultaneously, was significantly easier. A slight incline on the south side of the Treasury creating was identified, given that it was exactly where Sherman had watched the two-day Grand Review of the Union Army in Might 1865. On the first day of the review, Sherman stood silently watching the Army of the Potomac march by in precision. Sherman’s personal guys (the Army of the Tennessee) would pass in overview the second day, and worried they would not measure up to the Army of the Potomac, he rode across the river to their camp and called together all his commanding officers. He described in detail the precision marching of the Army of the Potomac, hoping that the officers would relay this to his guys and inspire them to appear as sharp as the Army of the Potomac. On the second day of the overview, Sherman led the Army of the Tennessee up Pennsylvania Avenue with the military bands playing “Marching Via Georgia,” a new tune in their honor. As he and his band of males neared the rise at the Treasury constructing, Sherman pulled aside, turned facing eastward in his saddle, and with President Johnson and other dignitaries watched his men march down Pennsylvania Avenue toward him and the reviewing dignitaries.
Commenting on the second day of the Grand Assessment, the Washington Star reported that “this day’s men were taller, lankier, more sun beaten that those who had marched the day prior to. Their strides had been longer, more confident. They swung along with an easy grace and their spirits high. They were magnificent.” Crowds along Pennsylvania Avenue cheered them, throwing flowers and Sherman was practically overcome with emotion. In his memoirs he recalls this to be “one of the happiest, most satisfying moments of his life.” For that reason, this spot was selected as the place for the Sherman monument, and the pride Sherman felt watching his males would be captured by Rohl-Smith in the statue itself.

The Sculpture Requires Shape

In 1897, Rohl-Smith set up his studio in a massive barn-like structure that the Secretary of the Treasury constructed for him close to the internet site. The developing integrated an apartment where he and his wife Sara lived whilst he worked. In 1900, obtaining completed models for the equestrian statue and three of the 4 soldiers that would stand guard at the monument’s corners, Rohl-Smith sailed to Denmark for a check out. Although there, he died unexpectedly at age of 52 in Copenhagen. His wife, Sara, asked the Sherman Monument Commission to allow her to arrange the artist who would full the statue and the commission agreed. Sara, along with some of the young Scandinavians who had been working with her husband, effectively directed the completion of the monument making use of her late husband’s original drawings. In August 1903, the Washington Star reported that the initial cast sections of the 14’ tall equestrian statue were arriving at the internet site. Sherman’s torso, hands, arms, shoulders, neck and head comprised the biggest piece.

Design Components

On each and every corner of the tiered platform, facing outward, were placed 4 life size soldiers representing infantry, cavalry, artillery, and engineers. A relief on the north side of the pedestal shows males marching through Georgia as slaves step from their quarters to watch them pass. The relief on the south side depicts the Battle of Atlanta with Sherman and his employees at headquarters as smoke rises from the burning city in the distance. The reliefs on the west and east sides of the pedestal show Sherman walking among his men sleeping about a campfire and the common with his officers on horseback before the Battle of Missionary Ridge. Pairs of medallions bearing bas-reliefs of Sherman’s army and corps commanders (James Birdseye McPherson and Oliver O Howard, John A Logan and Francis Preston Blair, Greenville M. Dodge and Edward G. Ransom, and Benjamin Grierson and Andrew J. Smith) flank the larger reliefs on the east and west sides. Big bronze groups installed halfway up the monument’s east and west sides depict “Peace” and “War”. “Peace,” on the east side, depicts a graceful woman holding an olive branch accompanied by 3 youngsters, one feeding a dove. “War,” on the west side, is a horrible fury, seething with rage and hatred, who tramples humanity in the form of a dead young soldier at her feet. Huge bronze vultures perch on the body about to feast on its flesh, graphically driving home Sherman’s renowned observation that “war is hell.” Inscribed on the north façade is one more Sherman quote: “war’s legitimate object is far more best peace.” Lastly, inscribed in the wide mosaic band around the base of the monument are the a lot of battles in which Sherman participated.

The Dedication Ceremony

The Society of the Army of the Tennessee produced the plans for the dedication of the Sherman Monument. They arranged specific excursion trains to bring veterans to Washington, special hotel rates, and activities for veterans’ wives. As the date of dedication arrived, October 15, 1903, thousands arrived in Washington and filled all hotels, forcing a lot of to keep in hotels as far away as Baltimore and Annapolis. In Washington, miles of bunting and acres of flags decorated firms, properties, and government buildings. The base of the monument itself was entwined with 400’ of garland and at each and every corner stood wreaths 7’ in diameter. On each and every side of the base was a 6’ high shield of red, white, and blue flowers—one for every of the 4 armies. The statue of Sherman was enfolded amongst two enormous American flags suspended on wires whilst far more flags covered the bronze soldiers at the corners. On the reviewing stand for the parade that preceded the ceremonies Turkish carpets have been laid. Overstuffed armchairs for President Theodore Roosevelt and other dignitaries lined the freshly painted railings of the reviewing stand. A lot more than a thousand folding chairs had been arranged in a semi-circle in front for the actual unveiling, with two hundred specific chairs for the “veterans who had left limbs to rot on the battlefield” right at the base of the statue. Specific tables were set aside for the press and the Western Union operators. The parade, which stretched for miles, started at 2:00pm. President Roosevelt could barely include his enthusiasm and kept leaping out of his chair to wave and shout to passing units. The last tune played ahead of the ceremony was “Marching Through Georgia.” Basic Greenville Dodge, president of the Society of the Army of the Tennessee, presided. At Dodge’s signal, the late general’s young grandson, William Tecumseh Sherman Thorndike, pulled the cord that parted the flags to show Sherman astride his horse.

The ceremony was unusual among dedications for the eloquence of its speakers. Dedication speeches had previously been patriotic and sentimental, but the speakers at this one particular, particularly President Roosevelt, rose above the standard nostalgia. President Roosevelt’s speech was filled with moving, challenging imagery, since Roosevelt had an agenda and he relished the pulpit afforded to at this dedication ceremony (the nation had only recently completed the Spanish-American War), but his words express thoughts still valid today.

President Roosevelt stated that, as an emerging international power, the nation have to be ever vigilant and often powerful and veterans in the audience roared in agreement. Roosevelt also employed this chance to get in touch with for a strong national defense, chiding opponents by saying, “No man is warranted in feeling pride in the deeds of the Army and Navy of the past if he does not back up the Army and Navy of the present.” Roosevelt wanted no one to rest on previous laurels, calling for Americans to be vigorous, rigorous, up and undertaking noble deeds, and pursuing lofty objectives, stating that heroes like Sherman ought to spur citizens to similar acts. The President named for new patriotism, honesty and vigilance – all qualities exhibited by Sherman and other “great dead.” Roosevelt continued: “The triumphs of the previous must be lessons that, if discovered, would lead to victory in challenges however to come. It is a wonderful and glorious thing for a nation to be stirred to present triumph by the splendid triumphs of the past. But it is a shameful factor for a nation if those memories stir it only to empty boastings…We of the present, if we are correct to the past, need to show by our lives that we have discovered aright the lessons taught by the guys who did the mighty deeds of the previous.” As Roosevelt spoke, the thousands of veterans sitting in front of him, who had done the “mighty deeds” of the past, have been stirred to know that this man wasn’t seeking back in time but forward. He told these assembled that their hard won victories would guide the nation into a glorious future that they would not reside to see but whose destiny they had assured. Through Roosevelt’s guarantee of a sort of immortality, the guys of the armies of the Tennessee, Cumberland, Ohio and the Potomac rose and gave him one particular ovation after another.

Good Machining Business photographs

Klarm Machining

Check out these machining company photos:

Girls workers set up fixtures and assemblies to a tail fuselage section of a B-17 bomber at the Douglas Aircraft Company plant, Extended Beach, Calif. Much better identified as the “Flying Fortress,” the B-17F is a later model of the B-17, which distinguished itself i

Image by The Library of Congress
Palmer, Alfred T.,, photographer.

Females workers set up fixtures and assemblies to a tail fuselage section of a B-17 bomber at the Douglas Aircraft Organization plant, Extended Beach, Calif. Far better known as the &quotFlying Fortress,&quot the B-17F is a later model of the B-17, which distinguished itself in action in the south Pacific, Germany and elsewhere. It is a extended variety, high altitude, heavy bomber, with a crew of seven to nine men, and with armament adequate to defend itself on daylight missions

1942 Oct.

1 transparency : color.

Notes:
 Title from FSA or OWI agency caption.
Transfer from U.S. Office of War Information, 1944.

Subjects:
 Douglas Aircraft Business
Airplane market
Females
World War, 1939-1945
Assembly-line methods
United States–California–Long Beach

Format: Transparencies–Color

Rights Info: No identified restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

Part Of: Farm Security Administration – Office of War Information Collection 12002-39 (DLC) 93845501

General details about the FSA/OWI Color Photographs is offered at hdl.loc.gov/loc.pnp/pp.fsac

Larger resolution image is offered (Persistent URL): hdl.loc.gov/loc.pnp/fsac.1a35337
hdl.loc.gov/loc.pnp/cph.3j00093
hdl.loc.gov/loc.pnp/cph.3c28017

Get in touch with Quantity: LC-USW36-103

Avro Canada CF-one hundred Canuck

Image by bill barber
On a pedestal in the park close to Algonguin Hwy, Haliburton, Ontario. Initially stationed at Camp Borden, Ontario.

The Avro Canada CF-one hundred Canuck (affectionately identified as the Clunk) was a Canadian jet fighter serving in the course of the Cold War. It was the only Canadian-designed fighter to enter mass production. The CF-one hundred is not considered to be genuinely supersonic given that it could not exceed the speed of sound in level flight. Nevertheless, on 18 December 1952, S/L Janusz Żurakowski, the Avro business chief improvement test pilot, broke the sound barrier flying the CF-one hundred Mk four prototype in a dive from 30,000 feet.
en.wikipedia.org/wiki/Avro_Canada_CF-one hundred

Good Turning Machining photographs

Klarm Machining

Some cool turning machining images:

Machine Turned Gauge

Image by jonnyfixedgear

Up side down

Image by jurvetson
You’re turning me…

Green Goo

Image by www.louisdallaraphotography.com
Green goo is a hypothetical finish-of-the-world situation involving molecular nanotechnology in which out-of-control self-replicating robots consume all living matter on Earth even though building a lot more of themselves (a situation recognized as ecophagy).

The term &quotgreen goo&quot is normally used in a science fiction or popular-press context. In the worst postulated scenarios (requiring big, space-capable machines), matter beyond Earth would also be turned into goo (with &quotgoo&quot which means a massive mass of replicating nanomachines lacking large-scale structure, which might or may not really seem goo-like). The disaster is posited to result from a deliberate doomsday device, or from an accidental mutation in a self-replicating nanomachine utilized for other purposes, but designed to operate in a natural environment.

Good Precision Turning pictures

Good Precision Turning pictures

Klarm Machining

Some cool precision turning photos:

Jantar Mantar observatory, sundial, built by Maharaja Jai Singh II of Jaipur in 1724 – buses, automobiles, individuals, palms, trees, photo from hotel, atmospheric distance steamy hot morning, downtown New Delhi, on pilgrimage, 1993, India

Image by Wonderlane
The Jantar Mantar is situated in the modern day city of New Delhi. It consists of 13 architectural astronomy instruments. The site is one particular of five built by Maharaja Jai Singh II of Jaipur, from 1724 onwards, as he was provided by Mughal emperor Muhammad Shah the process of revising the calendar and astronomical tables.

The primary goal of the observatory was to compile astronomical tables, and to predict the instances and movements of the sun, moon and planets. Some of these purposes today would be classified as astronomy.

Completed in 1724, the Delhi Jantar Mantar had decayed considerably by 1867.

There are three instruments inside the observatory of Jantar Mantar in New Delhi: the Samrat Yantra, the Jayaprakash, and the Misra Yantra.

Samrat Yantra: The Samrat Yantra, or Supreme Instrument, is a giant triangle that is essentially an equal hour sundial. It is 70 feet higher, 114 feet long at the base, and 10 feet thick. It has a 128-foot-lengthy (39 m) hypotenuse that is parallel to the Earth’s axis and points toward the North Pole. On either side of the triangle is a quadrant with graduations indicating hours, minutes, and seconds.

At the time of the Samrat Yantra’s building, sundials already existed, but the Samrat Yantra turned the standard sundial into a precision tool for measuring declination and other associated coordinates of numerous heavenly bodies.

Jayaprakash Yantra: The Jayaprakash consists of hollowed out hemispheres with markings on their concave surfaces. Crosswires have been stretched amongst points on their rim. From inside the Ram, an observer could align the position of a star with different markings or a window’s edge.

Misra Yantra: The Misra Yantra was developed as a tool to decide the shortest and longest days of the year. It could also be utilised to indicate the precise moment of noon in different cities and places regardless of their distance from Delhi – very remarkable!

The Mishra yantras have been in a position to indicate when it was noon in a variety of cities all over the planet and was the only structure in the observatory not invented by Jai Singh II.

en.wikipedia.org/wiki/Jantar_Mantar,_Delhi

Their view #hotwinterlight #essay #lastintheset

Image by ocDeluxe
Exhaustion. Fibrillation, noise, competing frequencies. My rhythm is off and I need to find my personal heartbeat once again. It is been foggy right here all week–I typically really like fog–but the final few months have left me feeling like a zombie, all hollow and empty and inhuman, and I haven’t been capable to take pleasure in it. I wake up every morning and go about my routine, which is about all I can say. I shared this with my wife and she suggested that I take the entire day off from what I normally do. (Thanks for the viewpoint and help, honey!) This morning I opened to exactly where I left off in the Bible and read Lev. 23, the Lord is establishing rules for days of rest. Huh, interesting… so possibly I make myself a guarantee to rest today, which ironically is even a Saturday, the classic Sabbath day. And by rest I mean avoiding all factors that really feel like work, like photography in most instances. I couldn’t think about wanting to perform anyway, feeling like a zombie and all, so mostly, I’d just concentrate on becoming and paying attention–but should the temptation arise I promised myself I would not work.

Friendship drew me out of the home this morning, got my proverbial feet moving, with the guarantee of a uncommon art show downtown. A myriad of booths promoting old prints from woodcuts, etchings, monotypes, linocuts, and some I’ve heard of, like mezzotints. Input. The 1 I liked most was 00. Pass, for now.

But I also necessary space, to be in space, by myself for a whilst. Someplace a handful of blocks away, on a library hold shelf, a Philippe Halsman retrospective sat with my name on it. So I let my pal Mike know I was going to duck out for a few minutes to fetch it. The hot winter light, living, alive, impossible to ignore caught my eye. It shaped, defined, every thing about me brick and stone brought to life. I created a handful of snaps on my phone as I walked, reflex, which didn’t feel like operate and I didn’t have to perform at it, although it did little to ease my weary spirit.

Sustenance. Mike and I headed northeast for lunch, to that one hundred-year-old schoolhouse turned restaurant that serves regional microbrews. Burger and a beer and, ahh, the bliss of unhurried conversation. My burger was overcooked, like me, but the copper ale, delicious. It is often wonderful to connect with buddies more than a great meal, and the conversation welcome and prompting of reflection.

The a single aspect I really feel is at the moment missing in my life: Solitude. There’s a vacancy in time to wander and stare. And now that I truly have the day cost-free I needed to figure out exactly where to devote the rest of it. Soon after I mentioned goodbye to Mike I drove to Cathedral Park. Despite the fact that I’ve spent most of my life in Portland and in no way observed it. Pity. It’s a lengthy drive, but seemed as good of location as any and so there I went. I wavered when although crossing the Freemont Bridge, seeing how beautifully hazy the extended views have been, but expertise tells me that if I changed my mind now I’d end up nowhere. The female GPS with a foot fetish (in 1000 feet, turn left…) guided me with disturbing precision into the parking lot. Craving simplicity I slung my manual film camera more than my shoulder and left the DSLR in the vehicle.

Temptation. A crowd had formed on the primary lawn, about a group of performers with soap buckets and roped sticks. Giant morphing bubbles emerging like dragons out of thin air. The halos and reflections… stunning against the textured sky. Youngsters were running and jumping, giggling, as they popped the bubbles. Photographers everywhere, I counted at least fifty if you consist of camera phones, and excellent photographs could have/would have come easy, though it would have felt like operate to me. My shoulders drooping, held back, I moved along to wander and stare and discover: following that intuitive thread beyond my comprehension. I wandered on the dock, along the bank, by way of the trees, back to the auto, back to the park, up along the bridge pillars, down and around. I was fairly thorough in my wandering. I hurried only once, when mud disguised as grass tried to swallow my shoes.

Withdrawal. I made my way to the prime of the park in line with the bridge pillars with the hope of sitting quietly by myself for a while. A number of photographers showed shortly right after and setup tripods around me–apparently I had picked a excellent photo spot–and went about their company quietly. I listened to the sound of clacking shutters for a while and then fled back toward the river in silence.

Train tracks cut through the park I guess I had seen them on my way in, but they never really registered. Had I been a tiny more quickly I may have beaten the train, but as it had been I was cutoff. I waited patiently and then not so patiently as every freight auto lumbered passed, eventually realizing I would be there for the longer I had patience for. So I walked along the graveled tracks toward the opposite finish of the park, often reaching out with my fingers and tracing the corrugated ribs on the passing automobiles, iron fence boards. How curious to be so close to such a massive moving object with out any sense of worry or awe. And I listened, deeply, to the higher-pitch groans and screams of the metal on metal as the tracks traveled up and down like slow-moving pistons flexing around every wheel. I believed about cutting amongst the vehicles, maybe using the access stairs, or possibly hopping on a vehicle, but knew it was a bad concept for a lot of motives, and, besides, I was here to be patient and stare. By way of the gaps I noticed other folks waiting on the other side. Apparently none of us were happy with exactly where we have been. Waiting was mandatory.

We uncover our own beat in silence. Stillness and quiet are essential to sound, or rather music. It is the rests in among that support shape the rest of time. And often, maybe, we can locate stillness amongst the noise.

Right after the train passed I settled into a bench for a whilst, close to the major activity. Three guys in blue jeans, black tees, baseball caps, circling a pull wagon overloaded with buckets and bags and discarded coats. A single of the guys handed his bubble sticks more than to young woman who was carrying out a great job. A father with blond curly hair, I’m guessing German by his speech, chassed a giggling small boy with matching features. The boy about my own’s age, produced me miss my family members. A performer with a video camera bolted firmly to a helmet steadily floated by means of the action as if balancing water. Shortly following, he launched an RC helicopter, a huge one, like 650 class, and dispatched some of the bubbles with the rotor blades before moving on to far more sophisticated maneuvers. And there I sat till the last of the sun crept more than the tops of the hills, just before moving down toward the bank to explore further.

I felt a tinge of jealousy for the boulders sitting along the bank, year soon after year and watching the river flow by, the sun rising and setting, the altering light on the beautifully gothic spires of the St. John’s Bridge. But there was also ugliness here too. In another context I may well have thought this river bank a crime scene: scattered discarded clothing, crunchy and brittle, bleached from the sun the purse, riffled and cast aside the empty liquor bottle the lone shoe bobbing face down among the rotting twigs and effluvium. I’m not sure why, but I finally felt compelled to pull out my Pentax and make a couple exposures of the bridge. Practically nothing I will want to keep, likely, but the making was enjoyable nonetheless–and it didn’t really feel like perform. And that prompted me to make a couple of snaps on my telephone, to complete the set from earlier, except my telephone flashed low battery and shut down unexpectedly soon after a couple of–a casualty of the casual GPS use earlier. Or maybe a sign.

In the distance the bubble guys now wielded a smoke machine. Really unusual–the blobs of trapped smoke looked specifically like anything from a lava lamp. They even managed to trap a smoke-filled bubble inside a bigger typical one. Impressive. Still no compulsion to photograph and I moved on.

I sat in the auto for really a whilst and watched the final of the light fade away. This day would never occur once again. I guess the time was excellent for the soul, I needed time to fill the vacancy, even if the encounter wasn’t wholly successful. The essential in the ignition eventually turned, I never bear in mind selecting to do this, the transmission engaged, I backed up, unconsciously headed in a familiar path. When I passed downtown I regarded dropping by operate for a couple hours to address one thing on my backlog I’ve been avoiding for weeks and then remembered my Lev. 23 promise. Near residence I pulled more than into a grocery retailer parking lot, exactly where I am now, and started performing this, journaling. I’m extremely thankful to God for providing me the present of a day like this. My head is nevertheless foggy, but I’m still grateful even if I could not clear my head. And fog requirements time to dissipate, correct? But fog can be great as well. It can support reveal depth to shape what we may otherwise take for granted. It’s the in-between that shapes the light and it’s the in-between that shapes us, which assists us locate our rhythm. And fog increases that in-between. If it tends to make focusing challenging, then perhaps I require to concentrate on what’s close to. My loved ones is near, so I guess it really is time to go home.

Good Grinding Surface photos

Good Grinding Surface photos

Klarm Machining

A handful of nice grinding surface pictures I discovered:

Satellite Image Shows the Snow-covered U.S. Deep Freeze

Image by NASA Goddard Photo and Video
NOAA’s GOES-East satellite offered a appear at the frigid eastern two-thirds of the U.S. on Jan. 7, 2015, that shows a blanket of northern snow, lake-effect snow from the Excellent Lakes and clouds behind the Arctic cold front.

A visible picture captured at 1600 UTC (11 a.m. EST) showed the effects of the most current Arctic outbreak. The cold front that brought the Arctic air has moved as far south as Florida, and stretches back over the Gulf of Mexico and just west of Texas today. The image shows clouds behind the frontal boundary stretching from the Carolinas west more than the Heartland. Farther north, a wide band of fallen snow covers the ground from New England west to Montana, with rivers appearing like veins. The GOES-East satellite image also shows wind-whipped lake-impact snows off the Wonderful Lakes, blowing to the southeast. Meanwhile, Florida, the nation’s warm spot appeared virtually cloud-totally free.

To produce the image, NASA/NOAA’s GOES Project employed cloud data from NOAA’s GOES-East satellite and overlaid it on a correct-colour image of land and ocean produced by data from the Moderate Resolution Imaging Spectroradiometer, or MODIS, instrument that flies aboard NASA’s Aqua and Terra satellites. Collectively, those information developed the whole picture of the Arctic outbreak.

The forecast from NOAA’s National Weather Service Weather Prediction Center (WPC) calls for a lot more snow along the Appalachian Mountains from Tennessee north to upstate New York. Snow is also expected to fall from New England west to Montana, and in eastern New Mexico and the Colorado Rockies. The WPC summary for Jan. 7 noted: Bitter cold will be felt from the western High Plains to the Mid-Atlantic and Northeast U.S. for the subsequent few days. Widespread subzero overnight lows are forecast for the Dakotas, Upper Midwest, Fantastic Lakes, and interior New England. Wind Chill Advisories and Warnings are in effect for numerous of these areas.

GOES-East offers visible and infrared photos more than the eastern U.S. and the Atlantic Ocean from its fixed orbit in space. NOAA’s GOES satellites give the sort of continuous monitoring required for intensive information analysis. Geostationary describes an orbit in which a satellite is constantly in the exact same position with respect to the rotating Earth. This enables GOES to hover continuously more than one particular position on Earth’s surface, appearing stationary. As a outcome, GOES provide a continual vigil for the atmospheric triggers for serious climate situations such as tornadoes, flash floods, hail storms and hurricanes.

For updated information about the storm method, go to NOAA’s NWS internet site:

www.climate.gov

For much more data about GOES satellites, go to: www.goes.noaa.gov/ or goes.gsfc.nasa.gov/

Rob Gutro
NASA’s Goddard Space Flight Center, Greenbelt, Md.

NASA image use policy.
NASA Goddard Space Flight Center enables NASA’s mission by way of 4 scientific endeavors: Earth Science, Heliophysics, Solar Technique Exploration, and Astrophysics. Goddard plays a major part in NASA’s accomplishments by contributing compelling scientific information to advance the Agency’s mission.
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City Lights of the United States 2012

Image by NASA Goddard Photo and Video
NASA image acquired April 18 – October 23, 2012

This image of the United States of America at evening is a composite assembled from information acquired by the Suomi NPP satellite in April and October 2012. The image was produced possible by the new satellite’s “day-evening band” of the Visible Infrared Imaging Radiometer Suite (VIIRS), which detects light in a range of wavelengths from green to near-infrared and makes use of filtering tactics to observe dim signals such as city lights, gas flares, auroras, wildfires, and reflected moonlight.

“Nighttime light is the most interesting information that I’ve had a opportunity to operate with,” says Chris Elvidge, who leads the Earth Observation Group at NOAA’s National Geophysical Information Center. “I’m often amazed at what city light photos show us about human activity.” His research group has been approached by scientists looking for to model the distribution of carbon dioxide emissions from fossil fuels and to monitor the activity of industrial fishing fleets. Biologists have examined how urban development has fragmented animal habitat. Elvidge even learned once of a study of dictatorships in numerous parts of the world and how nighttime lights had a tendency to expand in the dictator’s hometown or province.

Named for satellite meteorology pioneer Verner Suomi, NPP flies more than any offered point on Earth’s surface twice each day at roughly 1:30 a.m. and p.m. The polar-orbiting satellite flies 824 kilometers (512 miles) above the surface, sending its data after per orbit to a ground station in Svalbard, Norway, and continuously to local direct broadcast users distributed about the globe. Suomi NPP is managed by NASA with operational help from NOAA and its Joint Polar Satellite System, which manages the satellite’s ground technique.

NASA Earth Observatory image by Robert Simmon, utilizing Suomi NPP VIIRS data supplied courtesy of Chris Elvidge (NOAA National Geophysical Information Center). Suomi NPP is the result of a partnership in between NASA, NOAA, and the Department of Defense. Caption by Mike Carlowicz.

Instrument: Suomi NPP – VIIRS

Credit: NASA Earth Observatory

Click here to view all of the Earth at Night 2012 pictures

Click here to study much more about this image

NASA image use policy.

NASA Goddard Space Flight Center enables NASA’s mission by means of 4 scientific endeavors: Earth Science, Heliophysics, Solar Technique Exploration, and Astrophysics. Goddard plays a top part in NASA’s accomplishments by contributing compelling scientific understanding to advance the Agency’s mission.

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Preparing For Antarctic Flights in the California Desert

Image by NASA Goddard Space Flight Center
At first glance a dry lake bed in the southern California desert appears like the last place to prepare to study ice. But on Oct. two, 2014, NASA’s Operation IceBridge carried out a ground-primarily based GPS survey of the El Mirage lake bed in California’s Mojave Desert. Members of the IceBridge group are at the moment at NASA’s Armstrong Flight Investigation Center, preparing instruments aboard the DC-8 study aircraft for flights more than Antarctica.

Element of this preparation includes test flights more than the desert, exactly where researchers verify their instruments are operating effectively. El Mirage serves as a prime place for testing the mission’s laser altimeter, the Airborne Topographic Mapper, due to the fact the lake bed has a flat surface and reflects light similarly to snow and ice.

This photo, taken shortly right after the survey, shows the GPS-equipped survey car and a stationary GPS station (left of the car) on the lake bed with the constellation Ursa Major in the background. By driving the vehicle in parallel back and forth lines more than a predefined region and comparing these GPS elevation readings with measurements from the stationary GPS, researchers are in a position to create an elevation map that will be used to precisely calibrate the laser altimeter for ice measurements.

Credit: NASA/John Sonntag

Operation IceBridge is scheduled to start investigation flights more than Antarctica on Oct. 15, 2014. The mission will be primarily based out of Punta Arenas, Chile, till Nov. 23.

For far more data about IceBridge, visit: www.nasa.gov/icebridge

NASA image use policy.
NASA Goddard Space Flight Center enables NASA’s mission via four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading function in NASA’s accomplishments by contributing compelling scientific understanding to advance the Agency’s mission.
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www.nasa.gov/icebridge

Good Wire Cutting Solutions photographs

Good Wire Cutting Solutions photographs

Klarm Machining

Some cool wire cutting services images:

Burying soldier who reduce barbed wire defence of Adrianople (LOC)

Image by The Library of Congress
Bain News Service,, publisher.

Burying soldier who cut barbed wire defence of Adrianople

[1913]

1 adverse : glass five x 7 in. or smaller sized.

Notes:
 Title from negative.
Photo connected to Battle of Adrianople, 1912-13, 1st Balkan War. The year 1913 seems on marker behind coffin. (Supply: Flickr Commons project, 2008, and Bain unfavorable LC-B2-2483-14)
Types element of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Information: No recognized restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

Basic information about the Bain Collection is obtainable at hdl.loc.gov/loc.pnp/pp.ggbain

Greater resolution image is offered (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.11367

Call Quantity: LC-B2- 2501-12

Electrical wiring

Image by slworking2
Inside a lately reduce-open nuclear bomb shelter.

Now abandoned, the Mount Laguna Air Force Station was a DEW (Distant Early Warning) internet site, watching for incoming missiles. It was residence to the 751st Aircraft Handle and Warning &amp Squadron, later the 751st Radar Squadron, component of the Air Defense Command. The facility was abandoned in the early 1980’s.

The buildings that once housed up to 400 Air Force personnel at Mount Laguna are now gutted shells covered with graffiti and filled with building debris.

For years, U.S. Forest Service officials have wanted to demolish the buildings at the abandoned base, but no cash was offered. Now, with federal stimulus funds, they’ll be in a position to get the job carried out.

The barracks, administration building, mess hall and other buildings that made up the Laguna Mountain Air Force Base will be torn down utilizing money from .two million in stimulus funds for Forest Service facilities in disrepair in 14 California counties.

www3.signonsandiego.com/stories/2009/aug/17/1m17laguna001…

www.eastcountymagazine.org/?q=node/1737

Verify out my videos of this location: www.youtube.com/profile?user=slworking2&ampview=videos&a…

Good Vertical Grinding pictures

Good Vertical Grinding pictures

Klarm Machining

Some cool vertical grinding photos:

The Beth Chatto Gardens – (S)weeping into Pink!

Image by antonychammond
One of the greats of British gardening, Beth Chatto OBE has entered the realm of national treasuredom. Plants-woman, designer, author, ten-time gold-medal winner at Chelsea, holder of the Royal Horticultural Society’s Victoria Medal of Honour and, of course, the owner of the celebrated Beth Chatto Gardens at Elmstead Industry, near Colchester, in Essex – her horticultural abilities seem boundless. With the notion of “right plant, correct place” – in other words, place a plant in conditions close to its organic habitat and it will thrive with out support – running as a thread all through her profession, she has inspired a generation of gardeners to take their lead from nature.

The garden has been the inspiration for a lot of of her influential books, such as The Dry Garden (1978), The Damp Garden (1992) and Beth Chatto’s Gravel Garden (2000). It was developed on land that was previously portion of a fruit farm, owned by her late husband, Andrew, 14 years her senior, whom she married in 1943. “We met in the course of the war,” she says. “I was a schoolgirl of about 17, taking into consideration going to college.”

A scholarly man, who died in 1999 right after suffering from emphysema for 25 years, Andrew devoted much of his life to research into plant habitats. Chatto says it was he who inspired her interest in gardening and refers to him regularly, modestly deferring to his superior understanding. “He’s such an essential influence in my life,” she says. “My parents had been keen, but they had a conventional garden, using mostly cultivars.”

The couple lived initially in his parents’ in Colchester, but in the late 1950s moved to a modernist residence they’d built on the edge of the farm – exactly where Chatto nevertheless lives nowadays. Even inside, the garden is a constant presence. Big windows frame views and vignettes of the planting on each and every side and invite a tapestry of textures, colours and shapes into the house.

Chatto credits her husband practically totally for her achievement. “My two daughters had been teenagers ahead of I started to believe about generating a enterprise,” she says. “Andrew had looked after us and given me the safety and freedom to experiment.” Her husband’s failing overall health and the trials of operating a fruit farm concentrated her thoughts on developing the garden commercially, even though what we see these days took time to emerge.

“For the very first seven or eight years, significantly of the land was a wilderness,” she recalls. But there have been assets, too, not least a rare natural water source in the drought-prone east of Essex, where rainfall can be as tiny as 20in a year. “There were a few fine 300-year-old oaks and a spring-fed ditch ran through the hollow.” Right now, the ornamental gardens cover about 5 acres a further ten are occupied by the nursery, which opened in 1967, and working locations.

Obtaining water was not the only challenge. “There was land that was so dry, the native weeds curled up and died. That ultimately became my gravel garden,” she says. This she developed in 1991, on the internet site of a car park. Apart from watering in the young, drought-tolerant plants during the very first year, she has by no means artificially irrigated it.

Chatto has a knack for turning dilemma places into an asset, and there are several distinct places in the garden, each and every requiring a different approach. The large water gardens are dominated by a series of ponds surrounded by bog plants and swathes of lush grass. A lengthy, shady walk runs parallel to a single of the boundaries. Right here, shade-tolerant planting – including ferns, tiarella and pulmonaria – carpet the ground beneath oaks and other specimen trees added by Chatto. By contrast, the gravel region is a mass of sun-loving perennials, with asters, rudbeckias and sedums glowing via hazy grasses.

The garden could have started out to give pleasure to a loved ones, but it has developed into a self-contained horticultural powerhouse, attracting guests from all more than the planet – about 40,000 a year. “It’s like sowing an acorn, which is my symbol,” says Chatto. “I have an acorn and an oak tree on a weather vane, which was a superb present from my employees.” Incredibly, it is tended by only a single complete-time and four element-time gardeners and volunteers – many of whom are foreign students. Chatto remains resolutely hands-on and is keen to pass on the expertise she has gained through encounter.

Chatto utilizes grasses brilliantly, and was performing so lengthy prior to it became fashionable. She creates seemingly effortless but completely satisfying combinations. Therein lies her genius – there may be other individuals out there with an equal understanding of plants, but no one else has her eye. Shape, scale, proportion, texture, colour – all are balanced with the skill of a plate-spinner.

She also variables in horticultural considerations – how huge a plant will get, how quickly or gradually it will develop, what situations it requirements to thrive and how it is maintained. The result is a garden that performs on every level – sensible, horticultural and aesthetic – with layer upon layer of carefully placed plants, as enticing asmillefeuillepastry. It all appears totally uncontrived, but, on closer inspection, 1 notices geometric lines and angles. The huge picture is built up gradually, with small groupings of three or much more plants forming a satisfying melange of verticals and horizontals, and fluffy and solid plants. “I need the trees and shrubs to kind a background, to paint the sky and lead the eye upwards towards the clouds,” Chatto explains. “Then one particular adds the embroidery, which I appreciate so a lot.” Absolutely nothing is permitted to get out of hand, but stagnation is not an choice, either. “A garden is not a image hanging on a wall,” she says. “It changes not only from hour to hour, week to week or month to month, but from year to year.”

Chatto has definitely noticed the effects of climate alter. Drought is practically nothing new in her portion of the world, exactly where (the past two years aside) there is often no rain for up to ten weeks in the summer. “The most interesting adjust is the lack of cold weather,” she says. “Only ten years ago, we had icicles hanging down, and when the children have been small, they utilized to skate. Now we hardly have enough ice to bear a duck.” From an article by Rachel de Thame

Please check out www.bethchatto.co.uk/ for additional information about this inspirational gardener and garden.

I enjoy flickr – I love Flickr Day – January five, 2014

Image by Daniel Mennerich (Saigon HCM City)

Please join the campaign, if you do not like the proposed new flickr layout.
Please download this image and upload it to your stream on Sunday, January 5, 2014. You can also make your personal picture with the text as noticed in this picture ( or of similar nature, but make positive to emphasize the boycott ), in any language of your selection. Please circulate it and remember to upload it on Sunday, January five, 2014 ( or just before, if you know you are going to be away on January five )

Images of Beta :
www.flickr.com/photographs/110293295@N04/11461406716/in/photographs...
www.flickr.com/pictures/110293295@N04/11461406746/in/images...

Beta feedback : Completed / Top suggestions / Hot suggestions

Want to know ? :
Why there is a sudden rise in views of your photos ?
Why is Flickr slow now ?

———————————————————————- ————————————-

Français :

J’aime Flickr
J’aime Flickr jour – five janvier 2014
Les changements proposés vont ruiner Flickr.
Si la nouvelle photo expérience de est mis en œuvre sans selection, je vais déciderai à boycotter et appel également tous mes amis et les famille à boycotter toutes les marques / produits qui affichent des publicités sur Yahoo.
www.flickr.com/photographs/23416307@N04/11706877113/

Deutsch :

Ich liebe Flickr !

Ich liebe Flickr -Tag am five. Januar 2014
Die geplanten Änderungen werden Flickr ruinieren.
Wenn die neue Gestaltung von Flickr ohne Wahlmöglichkeit verpflichtend eingeführt wird, werde ich boykottieren und an alle meine Freunde, Kontakte und Familienmtglieder appelieren, in Zukunft alle Marken/Produkte zu boykottieren, die bei Yahoo werben.

——————–
Ich liebe Flickr
Ich liebe Flickr Tag – 5 Januar 2014

Die vorgeschlagenen Änderungen werden ruinieren Flickr.
Wenn das neue Foto-Erlebnis ohne Option implementiert ist, wird ich entscheiden, zu boykottieren und auch appelliere, alle meine Freunde und Familie zum Boykott alle Marken / Produkte, die auf Yahoo Werbung anzuzeigen.

____________________

Ελληνικά

Αγαπώ το Flickr.
Υποστηρίζω την Hμέρα για το Flickr της 5ης Ιανουαρίου 2014.
Οι προτεινόμενες αλλαγές πρόκειται να καταστρέψουν το Flickr.
Εάν η νέα παρουσίαση/εμπειρία εφαρμοστεί χωρίς να δίνεται η
δυνατότητα εναλλακτικής επιλογής, θα αποφασίσω να μποϊκοτάρω
όλες τις μάρκες / προϊόντα που εμφανίζουν διαφημίσεις στη Yahoo
και θα καλέσω τους φίλους και την οικογένειά μου να πράξουν το ίδιο

—————————–

Italiano

Che amo Flickr
Amo giorno Flickr – five GENNAIO 2014
Le modifiche proposte will rovinare Flickr .
Se la nuova esperienza foto è attuato senza l’opzione , deciderò di boicottare e chiamare anche tutti i miei amici e la famiglia di boicottare tutti i marchi / prodotti che visualizzano gli annunci su Yahoo .

_________________

Português

Eu amo Flickr
Eu amo Flickr dia – 05 de janeiro de 2014
As alterações propostas vai estragar Flickr.
Se a nova experiência foto é implementado sem uma opção, vou vai decidir boicotar e também chamar todos os meus amigos e família para boicotar todas as marcas / produtos que exibem anúncios no Yahoo.

———————–

Español – apelación

Por favor únase a la campaña, si no te gusta el diseño de la nueva propuesta flickr.
Descargue la imagen y subirla a su galeria el domingo 5 de enero de 2014. Usted puede hacer su propia imagen tambien con el texto como se ve en esta imagen (o de naturaleza related, el objetivo de hacer un uso Seguro enfatizar el boicot), en cualquier idioma de su elección. Ejemplo si la nueva experiencia fotográfica se realiza sin opcion , voy a decidir boicotear y también llamar a todos mis amigos y familiares a boicotear todas las marcas / productos que muestran anuncios en Yahoo .
Por favor, distribuirlo y recordar a subirlo a Domingo, 05 de enero 2014 (o antes, si usted sabe que va a estar fuera el five de enero)

______________________________________________________________________ __

Beta is a test preview of the alter that is receiving prepared to be implemented quickly. It can be for a limited group of flickr members, intended to seek feedback and right faults ( if any), just before it is made public.
Change is good and public has always welcomed good adjustments. The preference for Windows XP by most men and women even soon after the introduction of Vista is a classic example of public acceptance. The public liked and preferred the predecessor ( Windows XP ) and the follower ( Windows 7 and Windows eight ) versions of Vista. A change is good and frequently gladly welcomed by public, if it offers much more utilities and user friendliness, without depriving even a single advantage of the predecessor.
The Beta version is unacceptable to the majority of Flickr users* ( who occurred to encounter it ) , because it’s not user friendly and has only disadvantages to mention. *Please check the Beta feedback : Completed / Leading tips / Hot tips

The layout itself is a disaster. Please check : Try our new photo experience beta / Comment box
However they try, it is really evident that it’s not possible to offer a lot more space for descriptions, comment box, and comments not to mention comments with photos , group invites / awards. The far more they attempt to repair it, the much more cumbersome it becomes. The buddy icons now appear as dots making the web page a lot more unaesthetic than what you see in the earlier photographs of beta . They are desperately attempting to make it attractive and user friendly, which is actually impossible with the proposed layout .
It is a huge challenge for the programmers to attempt find indicates to provide a lot more space in a vertical column which is currently cramped.
Is it possible to make a rugby stadium inside a one hundred square feet ground ?

Want to know ? :
Why there is a sudden rise in views of your photographs ?
Why is Flickr slow now ?

The Beth Chatto Gardens – Weeping Willow or Sweeping Willow?

Image by antonychammond
One particular of the greats of British gardening, Beth Chatto OBE has entered the realm of national treasuredom. Plants-lady, designer, author, 10-time gold-medal winner at Chelsea, holder of the Royal Horticultural Society’s Victoria Medal of Honour and, of course, the owner of the celebrated Beth Chatto Gardens at Elmstead Market place, near Colchester, in Essex – her horticultural skills look boundless. With the notion of “right plant, correct place” – in other words, put a plant in circumstances close to its organic habitat and it will thrive without support – running as a thread all through her career, she has inspired a generation of gardeners to take their lead from nature.

The garden has been the inspiration for a lot of of her influential books, such as The Dry Garden (1978), The Damp Garden (1992) and Beth Chatto’s Gravel Garden (2000). It was designed on land that was previously element of a fruit farm, owned by her late husband, Andrew, 14 years her senior, whom she married in 1943. “We met throughout the war,” she says. “I was a schoolgirl of about 17, contemplating going to college.”

A scholarly man, who died in 1999 right after suffering from emphysema for 25 years, Andrew devoted considerably of his life to research into plant habitats. Chatto says it was he who inspired her interest in gardening and refers to him frequently, modestly deferring to his superior information. “He’s such an critical influence in my life,” she says. “My parents have been keen, but they had a conventional garden, using mainly cultivars.”

The couple lived initially in his parents’ in Colchester, but in the late 1950s moved to a modernist residence they’d constructed on the edge of the farm – where Chatto still lives today. Even inside, the garden is a continual presence. Huge windows frame views and vignettes of the planting on each side and invite a tapestry of textures, colours and shapes into the house.

Chatto credits her husband almost entirely for her good results. “My two daughters had been teenagers just before I started to feel about creating a organization,” she says. “Andrew had looked following us and offered me the security and freedom to experiment.” Her husband’s failing well being and the trials of operating a fruit farm concentrated her thoughts on establishing the garden commercially, even though what we see today took time to emerge.

“For the 1st seven or eight years, significantly of the land was a wilderness,” she recalls. Yet there have been assets, too, not least a rare organic water source in the drought-prone east of Essex, where rainfall can be as little as 20in a year. “There were a handful of fine 300-year-old oaks and a spring-fed ditch ran via the hollow.” These days, the ornamental gardens cover about 5 acres a further ten are occupied by the nursery, which opened in 1967, and functioning locations.

Locating water was not the only challenge. “There was land that was so dry, the native weeds curled up and died. That eventually became my gravel garden,” she says. This she developed in 1991, on the site of a vehicle park. Apart from watering in the young, drought-tolerant plants in the course of the very first year, she has in no way artificially irrigated it.

Chatto has a knack for turning dilemma locations into an asset, and there are a number of distinct areas in the garden, every single requiring a diverse approach. The big water gardens are dominated by a series of ponds surrounded by bog plants and swathes of lush grass. A lengthy, shady walk runs parallel to a single of the boundaries. Here, shade-tolerant planting – including ferns, tiarella and pulmonaria – carpet the ground beneath oaks and other specimen trees added by Chatto. By contrast, the gravel area is a mass of sun-loving perennials, with asters, rudbeckias and sedums glowing by means of hazy grasses.

The garden might have started out to give pleasure to a family, but it has created into a self-contained horticultural powerhouse, attracting guests from all more than the world – about 40,000 a year. “It’s like sowing an acorn, which is my symbol,” says Chatto. “I have an acorn and an oak tree on a weather vane, which was a great present from my employees.” Incredibly, it is tended by only 1 full-time and 4 component-time gardeners and volunteers – many of whom are foreign students. Chatto remains resolutely hands-on and is keen to pass on the expertise she has gained by means of knowledge.

Chatto uses grasses brilliantly, and was carrying out so extended before it became fashionable. She creates seemingly effortless but thoroughly satisfying combinations. Therein lies her genius – there could be other people out there with an equal understanding of plants, but no one else has her eye. Shape, scale, proportion, texture, colour – all are balanced with the ability of a plate-spinner.

She also factors in horticultural considerations – how large a plant will get, how fast or slowly it will develop, what conditions it requirements to thrive and how it is maintained. The result is a garden that works on each and every level – practical, horticultural and aesthetic – with layer upon layer of carefully placed plants, as enticing asmillefeuillepastry. It all seems totally uncontrived, but, on closer inspection, 1 notices geometric lines and angles. The huge image is built up progressively, with little groupings of 3 or more plants forming a satisfying melange of verticals and horizontals, and fluffy and solid plants. “I want the trees and shrubs to form a background, to paint the sky and lead the eye upwards towards the clouds,” Chatto explains. “Then one adds the embroidery, which I appreciate so considerably.” Nothing at all is permitted to get out of hand, but stagnation is not an option, either. “A garden is not a picture hanging on a wall,” she says. “It changes not only from hour to hour, week to week or month to month, but from year to year.”

Chatto has surely noticed the effects of climate change. Drought is absolutely nothing new in her part of the world, exactly where (the previous two years aside) there is at times no rain for up to 10 weeks in the summer time. “The most intriguing alter is the lack of cold climate,” she says. “Only 10 years ago, we had icicles hanging down, and when the young children have been little, they utilized to skate. Now we hardly have enough ice to bear a duck.” From an report by Rachel de Thame

Please check out www.bethchatto.co.uk/ for additional info about this inspirational gardener and garden.

Good Precision Machining Business photos

Good Precision Machining Business photos

Klarm Machining

A couple of good precision machining business images I found:

Image from web page 1050 of “Electrical planet” (1883)

Image by Web Archive Book Pictures
Identifier: electricalworld43newy
Title: Electrical world
Year: 1883 (1880s)
Authors:
Subjects: Electrical engineering
Publisher: [New York McGraw-Hill Pub. Co., and so on.]
Contributing Library: Engineering – University of Toronto
Digitizing Sponsor: University of Toronto

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Photos: All Images From Book

Click right here to view book on-line to see this illustration in context in a browseable on the internet version of this book.

Text Appearing Prior to Image:
he Regular Underground CableCompany near the northwest corner entrance. The installation of ing was in its infancy. About the walls of the exhibit spaces arehung photographs of the pioneers and their early perform. The Jumbodynamo, produced by the Edison Machine Performs, direct-connected toa higher-speed engine, forms an intriguing comparison with themodel of the General Electric io,ooo-hp Niagara generator, which 1036 ELECTRICAL World and ENGINEER. Vol. XLIII, Xo. 22 is across the aisle. The 1st Edison electric locomotive vith itspassenger vehicle shows in a graphic way the progress in transportationmade given that 1880. The photograph of the British section reveals the splendid displayof electrical and scientific instruments made by the English manu-facturers. Most of these instruments have been tested and havecertificates from Lord Kelvins laboratory or the National PhysicalLaboratory. The General Post Workplace makes an excellent displayof the telegraphic apparatus used in Great Britain. Kelvin and

Text Appearing Right after Image:
FIG. six.—ENGLISH EXHIBIT. James White, of Glasgow, and Muirhead &amp Co., of Kent, have casesof galvanometers, condensers, normal cells, ammeters, voltmetersand other instruments of precision. In the foreground may possibly beseen a working model of Behrs monorail and higher-speed car asauthorized by act of Parliament for the railway in between Manchesterand Liverpool, to be operated at a speed of no miles per hour. The greater element of the sp-ace of the Wagner Electric Business, ofSt. Louis, in Section 9. is occupied by the different applications ofsingle-phase alternating-existing motors. This consists of the standardform, enclosed, semi-enclosed and back-geared varieties, from }4 to 35hp. The notable function of these motors is their beginning below

Note About Photos
Please note that these photos are extracted from scanned page pictures that could have been digitally enhanced for readability – coloration and look of these illustrations could not completely resemble the original perform.

Image from page 150 of “Life in a tank” (1918)

Image by World wide web Archive Book Images
Identifier: lifeintank00haig
Title: Life in a tank
Year: 1918 (1910s)
Authors: Haigh, Richard, b. 1895
Subjects: Globe War, 1914-1918
Publisher: Boston and New York, Houghton Mifflin company
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Pictures From Book

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ajor, who had been standing on the edgeof the field, walked forward to inspect. Every morning was spent in this manner,except for those who had unique courses tofollow. We devoted all our time and attentionto Forming Fours in as ideal a manner aspossible to saluting with the greatest accuracyand fierceness and to unwearying repetitionof each and every movement and detail, until machine-like precision was attained. All that we had been performing then is the veryfoundation and essence of good discipline. Dis-cipline is the state to which a man is trained,in order that beneath all situations he shallcarry out with no secondary reasoning anyorder that may possibly be given him by a superior.There is nothing of a servile nature in this formof obedience. Each man realizes that it is forthe great of the entire. By putting his implicitconfidence in the commands of 1 of a higherrank than his own, he gives an earnest of hisability to himself command at some futuretime. It is but an additional proof of the old adage, 124

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Rest and Discipline that the man who obeys least is the least fittedto command. When this war began, specific large forma-tions, with the sheer lust for fighting in theirblood, did not, although being formed, understand theabsolute necessity of unending drill and in-spection. Their initial cry was, Give us arifle, a bayonet, and a bomb, show us how touse them, and we will do the rest. Actingupon this concept, they flung themselves into bat-tle, disregarding the iron guidelines of a preliminarytraining. At first their extremely impetus and cour-age carried them more than incredible obstacles.But after a time, and as their ideal had been killedoff, the original blaze died down, and the steadyflame of ingrained discipline was not thereto take the place of burning enthusiasm. Theterrible waste and useless sacrifice that ensuedshowed only also plainly that even the wonderful-est person bravery is not sufficient. In this modern day warfare there are several trialsand experiences unimagined just before, whichwear down the actual will-pow

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Image from web page 561 of “American engineer” (1912)

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Identifier: americanengineer861newy
Title: American engineer
Year: 1912 (1910s)
Authors:
Subjects: Railroad engineering Engineering Railroads Railroad automobiles
Publisher: New York, N.Y. : Simmons-Boardman Pub. Co
Contributing Library: Carnegie Library of Pittsburgh
Digitizing Sponsor: Lyrasis Members and Sloan Foundation

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anager should give it their endorsement and ap-proval. Guys are fast to notice whether a new plan is backedor not, and human nature is such that, without proper backing,the greatest technique might fail via neglect to conscientiously fol-low its principles. As we view it this system forces everyone to do his duty.The man in authority who desires a method which will force each-physique else to do his duty but leave him free of charge to do as he pleasesis as well often evident such a man could not introduce this systemsuccessfully obtaining when endorsed it he also need to reside up to thedates and schedules. Unquestionably this perform will turn into moreand a lot more well-liked in railway repair shops the principles involvedcan be applied to the car shop as to the locomotive shop, andto the small or tbe big shop. High SPEED METAL CUTTINGMACHINE A machine using a flat saw blade which will reduce via a 6in. diameter bar of machinery steel in 20 minutes, or througha 12 in. I-beam in ten minutes, leaving a face whicli is true and

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High Speed Metal Saw. October, 1912. AMERICAN ENGINEER. 541 square, is getting built by the Racine Tool &amp Machine Firm,Racine Junction, Wis. It is a improvement of a power hack sawcarricil to a point where it becomes a tool of precision and canbe classed witli other high grade machine tools. Even though it usesa saw blade, the frame carrying it is remarkably rigid and iscarried by a support, so designed as to avert any possibilityor tendency for movement outdoors of the accurate vertical plane.The cutting is performed by the draw stroke and the blade islifted clear on the return stroke. A geared circulating pump ap-plies a cutting compound to the blade whilst in operation, allow-ing it to be run efficiently at high speed. The macliinc consists of a substantial base on wliicli is mountedthe vise for carrying the perform and the frame carrying the driv-ing mechanism. The vise is arranged to swivel at any angle upto 45 deg., and has a capacity for cutting an 11 in. bar at thisangle. The saw fram

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Good Turning Machining pictures

Good Turning Machining pictures

Klarm Machining

Some cool turning machining photos:

Lovecats discover Japan-licious incl. Orientation Island from HELL, REC FollowCam, & Sketch Sky Pens finale on Saturday 70

Image by ▓▒░ TORLEY ░▒▓
Ultra! Ultra! Read all about it!

Lovecats explore Japan-licious incl. Orientation Island from HELL, REC FollowCam, & Sketch Sky Pens finale on Saturday 77

Image by ▓▒░ TORLEY ░▒▓
Ultra! Ultra! Read all about it!

Southwold Pier and Rocks

Image by -RobW-
Em’s household has been going to Southwold on vacation for at least 4 generations. I’ve never ever been, but I genuinely liked it. Beautiful town, quite surrounding villages, immaculate and quirky pier with some great handmade mad slot machines (which includes some designed by Brighton’s personal and awesome Sarah Angliss), a placing green on which I got a hole in a single (BOOYAH) and amazing birdwatching (saw a hobby, my favourite bird as a child, and but one I’d never ever noticed then!).

Of course, with an excitable 3 month old, I didn’t get a lot of a opportunity to strategy any trips just for photography, but I nipped out for an hour 1 windy day to attempt out the complete classic &quotlong exposure of sea&quot shots.

A bloke came up to me while I was setting up a single of these shots to chat about the technique – bloke, if you check Flickr out, the a single I was setting up is this a single here if you want to see how it turned out :o)

You might be asking yourself about the weird effects there is an explanation on this shot.

I posted this very first as it has the very best Southwoldy atmosphere, but I think the under the pier shot is my favourite artistically.

Any Southwoldophiles keep tuned, I also have a few night time shots to place up!